Introduction to College Writing
Wednesday, March 25, 2009
Paper #3
Draft Due for peer review Monday April 6
Paper due Wednesday April 8
What I’m looking for:
Length 900-1100 words (3-4 pages)
Independent intellectual effort and thoughtfulness
A clear and wel1-focused thesis that is specific and interesting
A clear scheme of organization: introduction, body paragraphs, and conclusion
Unified paragraphs with topic sentences and strong transitions between paragraphs
Backing up your ideas with examples rather than summarizing/generalizing
Quotes that are integrated in way that demonstrates close, thoughtful reading
Skillfully constructed sentences
Evidence of reflection and revision
Proper use of MLA citation and documentation (i.e. in-text citation and a works cited page)
Plato
1. What does the allegory of the cave imply for people living in the world of the senses. To what extent are people like (or unlike) the figures in the cave? To what extent is the world we know like the cave?
2. Plato opens by talking about the extent to which we are enlightened. What is the effect on our enlightenment of the allegory he presents? What does an understanding of the allegory cause us to realize about ourselves?
Freud
1. To what extent do you think children’s love/hate of their parents is normal? Freud implies that such feelings exist in all children. Do you think that is likely? If so, what would contribute to those feelings? Should children worry about them? Or are they just normal feelings resulting from their having very little power in the family setting? Argue a case that suggests that the mental states Freud describes are essentially normal and nothing to worry about.
2. In another essay, Freud says that dreams are expressions of one’s wishes and fears and can be “inserted into the chain of intelligible waking mental acts.” If you have had a recent dream that you know can be connected to events in your waking life, describe the dream carefully and make the connection clear. What is the relation of that dream to your waking life? How do you interpret it? Does it seem to involve wishes, fear, or shame? How might Freud interpret this dream?
Gilligan
1. In reference to paragraph 34, establish what you see as the current sex-role stereotypes that appear to be accepted by those people you know best. What is the prospect in the future for a breakdown of these stereotypes? Do you feel optimistic that there will be progress in dealing with the stereotypes? Do you know people who are comfortable with them? Do you know people who are uncomfortable with them? What seem to be their views?
2. Gilligan refers to several fairy tales, such as “Sleeping Beauty” and “Snow White.” Each one portrays women in a passive role. Choose a fairy tale or popular narrative that you feel either supports Gilligan’s views about the distinctions between men and women, or contradicts them. Analyze the fairy tale/narrative for its deeper meaning in the same fashion that Gilligan analyzes certain tales. Do you think fairy tales shape gender beliefs in the young? Should they? Will you read these fairy tales to your children?
Got an idea? Run it by me.
Monday, March 23, 2009
Tuesday, March 17, 2009
Monday, March 16, 2009
Course Calendar Update
Please keep in mind that this calendar is tentative. I will distribute post calendar revisions as I adapt instructions and materials to meet your needs. I will also assign supplemental reading, activities, and exercises throughout the semester.
WEEK 5
JUSTICE
2/23 Paper #1 Due
Group Reading Exercise "The Black Sheep" by Italo Calvino
HW: Read “Letter from Birmingham Jail” (King) WI 171-189
Read Intro to “Justice” p 114-117
2/25 Discuss King
HW: Read “Declaration of Sentiments and Resolutions” (Stanton) WI 161-168
Read “A Theory of Justice” (Rawls) WI 195-204
Answer "Questions for Critical Reading"
WEEK 6
3/2 Bring English 120 Workbook to class
HW: Read “Composing Paragraphs” PH p43-60
3/4 Assign Paper # 2
HW: Review “MLA Documentation” (Ch. 21) in PH p245-299
WEEK 7
3/9 Thesis & Plan for Paper # 2 due
MIND
3/11 HW: Read Intro. to “Mind” WI p 437-443
Read “ The Allegory of the Cave” (Plato) WI 443-453
Answer "Questions for Critical Reading"
WEEK 8
3/16 Paper #2 due
HW: Read “The Oedipus Complex” (Freud) WI 469-478
Answer "Questions for Critical Reading"
3/18 Research Proposal Due
HW: Read “Woman’s Place in Man’s Life Cycle” (Gilligan) WI 797-817
Answer "Questions for Critical Reading"
WEEK 9
3/23 Assign Paper # 3
3/25 Citation Exercise Due
*****
3/30 Spring Break
4/1 Spring Break
*****
WEEK 10*
*You must take the English120 exam during this week
WEEK 10*
*You must take the English120 exam during this week
NATURE
4/6 Draft of Paper # 3 due for peer review
HW: Read intro to “Nature” WI Ch. 6
Read “The Sunless Sea” (Carson) WI 577-595\
4/8 Paper # 3 due
HW. Read “Nonmoral Nature” (Gould) WI 597-611
Answer Questions for Critical Reading
WEEK 11
4/13 Research Paper Progress Report Due
Prepare for paper # 4 (group work and discussion)
4/15 Paper # 4 in class (timed essay)
WEEK 12
4/20 Draft of Paper # 5 (short research paper) due for peer review
4/22 Paper # 5 (short research paper) due
WEEK 13
4/27 TBA
4/29 TBA
The Things They Carried (O’brien)
WEEK 14
5/4 Paper #6 (long research Paper) due
The Things They Carried (O’brien)
5/6 7 The Things They Carried (O’brien)
WEEK 15
5/11 The Things They Carried (O’brien)
5/13 The Things They Carried (O’brien)
5/18 FINAL EXAM (paper #7) 2-4 p.m.
Saturday, March 14, 2009
Call for Student Papers for 6th Annual SBCC Student Conference
6th Annual SBCC Student Conference
Mirroring Faith, Mirroring Science: Reflections
on the Structures That Shape Our World
Friday,
April 24, 2009
11:30-2:30 BC Forum
FREE
LUNCH at 11:30
Please note that all SBCC Student Conference topics are intentionally
broad.
We want as many students as possible to be able to say something about
the topic.
The ideas below, then, are simply an opening salvo of possibilities.
If you or your student have another idea, so much the better. Please
feel free to contact me if you have any questions:
Short films showing faith and/or/vs. science in action.
Student composed music that somehow encapsulates faith or science, or
that alternates between the two.
The art of faith (paintings, in particular) is much deeper than that of
science: why?
In what way is/isn't faith the same as religion?
What is the role of judgment in both faith and science?
Both faith and science depend on theorizing that which cannot be proven
(yet): why are we so willing to allow this for science but not for
faith?
At what point is a social science a science, and how do or don't they
speak to the issues of faith? Why?
Who are the New Atheists, and why should we care?
Many religions explicitly state that theirs is the way to God. How,
then, can religions co-exist while still adhering to this tenent?
Must faith and science be opposed?
How do we inhabit the shadowy realm in which faith and science overlap?
Is the battle between faith and science (is there a battle?) a
necessary, useful tension within our society?
Science as Savior: examine science fiction and futuristic work.
Receeding Christiantiy: why are some religions admired, and other
receed in popularity?
Examining the faith-full: how do people of various strong religious
beliefs function in secular America?
Scientific Prophecy: what counts as proof to the lay public in certain
scientific debates, such as global warming?
What do you think the role of religion should be in 21st century
America? Why?
Are new sciences, such as nano technology, blending the bounaries
between faith and science?
Historically, what has been the role of God?
Compare religions on the inerrancy of key texts and examine the
consequences of that inerrancy.
Cult v. Religions v. New Religions: How do new religions emerge?
When--and can--a cult become a religion?
Expressions of faith: the response of the arts to the movement of
faith.
And so on--please encourage your students to be as creative as possible.
Papers should run about 5-6 pages--so in some ways they are an overview
to some of the more substantive topics suggested here.
Submission deadline: Thursday, April 9 at 5:00 pm. IDC 311.
Electronic submission to Prossor@sbcc.edu
Thursday, March 5, 2009
Interesting Article from Washington Post. What is your take?
By Ron Charles
Sunday, March 8, 2009; B01
In 1969, when Alice Echols went to college, everybody she knew was reading "Soul on Ice," Eldridge Cleaver's new collection of essays. For Echols, who now teaches a course on the '60s at the University of Southern California, that psychedelic time was filled with "The Autobiography of Malcolm X," "The Golden Notebook," the poetry of Sylvia Plath and the erotic diaries of Anaïs Nin.
Forty years later, on today's college campuses, you're more likely to hear a werewolf howl than Allen Ginsberg, and Nin's transgressive sexuality has been replaced by the fervent chastity of Bella Swan, the teenage heroine of Stephenie Meyer's modern gothic "Twilight" series. It's as though somebody stole Abbie Hoffman's book -- and a whole generation of radical lit along with it.
Last year Meyer sold more books than any other author -- 22 million -- and those copies weren't all bought by middle-schoolers. According to the Chronicle of Higher Education, the best-selling titles on college campuses are mostly about hunky vampires or Barack Obama. Recently, Meyer and the president held six of the 10 top spots. In January, the most subversive book on the college bestseller list was "Our Dumb World," a collection of gags from the Onion. The top title in January was "The Tales of Beedle the Bard" by J.K. Rowling. Their favorite nonfiction book was Malcolm Gladwell's "Outliers" about what makes successful individuals. And the only title that stakes a claim as a real novel for adults was Khaled Hosseini's "A Thousand Splendid Suns," the choice of a million splendid book clubs.
Here we have a generation of young adults away from home for the first time, free to enjoy the most experimental period of their lives, yet they're choosing books like 13-year-old girls -- or their parents. The only specter haunting the groves of American academe seems to be suburban contentment.
Where are the Germaine Greers, the Jerry Rubins, the Hunter Thompsons, the Richard Brautigans -- those challenging, annoying, offensive, sometimes silly, always polemic authors whom young people used to adore to their parents' dismay? Hoffman's manual of disruption and discontent -- "Steal This Book" -- sold more than a quarter of a million copies when it appeared in 1971 and then jumped onto the paperback bestseller list. Even in the conservative 1950s, when Hemingway's plane went down in Uganda, students wore black armbands till news came that the bad-boy novelist had survived. Could any author of fiction that has not inspired a set of Happy Meal toys elicit such collegiate mourning today? Could a radical book that speaks to young people ever rise up again if -- to rip-off LSD aficionado Timothy Leary -- they've turned on the computer, tuned in the iPod and dropped out of serious literature?
Nicholas DiSabatino, a senior English major at Kent State, is co-editor of the university's literary magazine, Luna Negra. As a campus tour guide, he used to point out where the National Guard shot students during the May 1970 riot. But the only activism he can recall lately involved anti-abortion protesters and some old men passing out Gideon Bibles. "People think we're really liberal," he says, "but we're really very moderate." Submissions to the lit mag so far this year are mostly poetry and some memoirs about parents. "The one book that I know everyone has read," he says, "is 'I Hope They Serve Beer in Hell.' " So, no uprising unless the bars close early.
Perhaps this shouldn't surprise us. A new survey of the attitudes of American college students published by the University of California at Los Angeles found that two-thirds of the freshmen identify themselves as "middle of the road" or "conservative." Such people aren't likely to stay up late at night arguing about Mary Daly's "Gyn/Ecology" or even Robert Pirsig's "Zen and the Art of Motorcycle Maintenance."
Professor Eric Williamson -- a card-carrying liberal in full tweed glory -- argues that "the entire culture has become narcotized." An English teacher at the University of Texas-Pan American, he places the blame for students' dim reading squarely on the unfettered expansion of capitalism. "I have stood before classes," he tells me, "and seen the students snicker when I said that Melville died poor because he couldn't sell books. 'Then why are we reading him if he wasn't popular?' " Today's graduate students were born when Ronald Reagan was elected, and their literary values, he claims, reflect our market economy. "There is nary a student in the classroom -- and this goes for English majors, too -- who wouldn't pronounce Stephen King a better author than Donald Barthelme or William Vollmann. The students do not have any shame about reading inferior texts."
Roger Kimball, editor and publisher of the New Criterion, marches in the other direction -- he has no complaints about the market economy -- but he arrives at the same dismal appraisal of the academic culture. Universities and colleges "enforce an intellectually stultifying, politically correct atmosphere that pretends to diversity," he complains. "One of the results of this is a notable uptick in superficiality and a notable uptick in the anesthetizing of that native curiosity that was once a prominent feature of the adolescent mind."
I want to start humming that classic middle-age rant from "Bye Bye Birdie": "Why can't they be like we were,/Perfect in every way?/What's the matter with kids today?"
But maybe young people's reading choices reflect our desire to keep them young. David Farber, author of "The Sixties Chronicle," says that the way Americans think about the age of maturity has shifted considerably. "There's much more an emphasis now on kids thinking of themselves as kids, even into their early to mid-20s," he says. "But in the '60s, they thought of themselves as agents of historical change. The sit-ins, the civil rights movement, the possibility of being drafted focused the mind. The contagion of protest made everyone think of themselves as possible demonstrators."
That spirit is still alive and well, even if it's not reflected in their favorite book titles, according to Mike Connery, who writes about progressive youth politics for the Web site Future Majority. He doesn't see a generation of vampire-loving boneheads. "Young people today express their politics in very different ways than they did in the '60s, '70s and '80s," he says. Yes, they love Meyer's "Twilight" series -- even his fiancee is "obsessed" with it -- but that's just for escape. "People don't necessarily read their politics nowadays. They get it through YouTube and blogs and social networks. I don't know that there is a fiction writer out there right now who speaks to this generation's political ambitions. We're still waiting for our Kerouac."
But is anyone really waiting? As young people shift toward the Internet and away from exploring their political activism in books, the blood drains from their shelves. For the Twitter generation, the new slogan seems to be "Don't trust anyone over 30 lines." What you see at the next revolution is far more likely to be a well-designed Web site than a radical novel or a poem. Not to be a drag, man, but that's so uncool. For those of us who care about literature and think it still has much to offer, it's time to start chanting, "Hell, no! We won't go!"
Wednesday, March 4, 2009
Paper # 2
Detorie Spring 2009
Assignment # 2
Paper Schedule:
3/4: Paper Assigned
3/9: Typed Thesis and Plan due for Peer Review (bring 2 copies)
3/16: Final Draft due at the beginning of class
Your purpose in this paper is to state and explain an idea based on a topic given below. You should first explore the topic, using some of the methods discussed in your Penguin Handbook. Your exploration should lead to a working thesis and a tentative plan for developing the thesis. Bring two typed copies of your thesis and plan to class on 3/9. After we review these plans in class, you will write a first draft. The final draft, revised by your own careful review, is due on 3/16.
What I’m looking for:
Length 900-1200 words (3-5 pages)
Independent intellectual effort and thoughtfulness
A clear and wel1-focused thesis that is specific and interesting
A clear scheme of organization: introduction, body paragraphs, and conclusion
Unified paragraphs with topic sentences and strong transitions between paragraphs
Backing up your ideas with examples from the text
Quotes that are integrated in way that demonstrates close, thoughtful reading
Skillfully constructed sentences
Evidence of reflection and revision
Proper use of MLA citation and documentation (i.e. in-text citation and a works cited page)
Choose one of the following topics:
1. In “Letter from Birmingham Jail,” King says that to defy or evade the law is to invite anarchy (para. 20). Explain what King means by this in the context of his letter. Look up anarchy in a good dictionary or an encyclopedia. Would anarchy be less or more desirable than the conditions that existed in Birmingham in the 1960s? Be sure to include quotes from the letter to support and illustrate your position.
2. In a sense, Elizabeth Cady Stanton’s “Declarations of Sentiments and Resolutions” represents an agenda of things that must be done to help establish the equality of women. How do you think Stanton would feel about the condition of women today? Would she feel that there is anything that remains to be done today? Is there enough progress being made in these areas? Be sure to include quotes from the Declaration to support and illustrate your claims.
3. In “A Theory of Justice,” John Rawls coins several phrases that many commentators have found useful: “justice as fairness,” “the veil of ignorance,” “primary goods,” and “the original position.” Describe and evaluate the most interesting idea that Rawls raises for you in his thoughts about the nature of justice. Decide whether it should guide people in their choices in a society and, if possible, describe how it could be put into effect. Be sure to use quotes from the article to support and illustrate your claims.
4. Write a letter in which you address an injustice. Just as King aligns himself with Paul’s letters in the Bible, attempt to align yourself with King. You may do this by drawing comparisons between the injustices King describes and/or the way in which he describes and addresses those injustices. You must use sources (King’s article and additional sources re: the injustice you are addressing) to support and illustrate your claims.
5. Got an idea? Run it by me.
GOOD LUCK!
Monday, March 2, 2009
course grades
Essay 1 (3-4 pages or 900-1200 words) 10%
Essay 2 (3-4 pages or 900-1200 words) 10%
Essay 3 (3-4 pages or 900-1200 words) 10%
Essay 4 (in-class , about 3 pages or 900 words) 10%
Essay 5 (short research, 5 pages or 1500 words) 5%
Essay 6 (7-8 pages or 2100-2400 words) 20%
Essay 7 (final exam, about 3 pages or 900 words each) 10%
Participation (includes attendance, quizzes, peer review) 15%
Homework (typed answers to questions) 10%